AKA: Der Dämon in Mir
Directed by: Nicole Kassell
Starring: Kevin Bacon, Kyra Sedgwick, Mos Def, Benjamin Bratt, Michael Shannon, Eve
Language: English (English subtitles)
Plot – Spoilers:
Walter (Kevin Bacon) is a pedophile just out of jail having served a 12-year sentence for molesting young girls aged 10-12. He keeps his head down and takes a carpentry job at his former workplace. No friends or family will see him except for his brother-in-law who visits, as a kind of payback for Walter’s help years back.
While jailtime appears to have allowed Walter time to reflect, it did nothing, as you would expect, to change his urges. He rents a place overlooking a schoolyard and struggles on several occasions to avoid following teen girls. A sexual relationship with a work colleague Vicki (Kyra Sedgwick) does help in taking his mind off his fight to be normal, but he keeps getting drawn back to the person the world has labeled him – a convicted child molester. This is triggered in several ways – the schoolyard with fellow pedophiles lurking around, a cop (Mos Def) who drops in uninvited every now and then to remind Walter that he knows Walter’s types never change, a spurned and vindictive work colleague (Eve) who takes it upon herself to inform everyone around of his conviction, a therapist (Michael Shannon) who appears to derive a perverse thrill out of hearing Walter talk about his feelings.
Kevin Bacon is quite brilliant in his performance. In fact, Colin Firth called it the greatest performance of the noughties. There are subtle nuances like the way he walks, and dramatic displays in his enthusiasm, excitement and lust when he’s around young girls.
The Woodsman tackles the age old question – can a pedophile ever be reformed. Initially it seems in Walter’s case, No. The odds and the system are so stacked against them, that even someone like Walter who displays a genuine urge to fight his feelings, soon starts to lose the battle. And yet, Vicki who reaffirms to him that she sees something good in him that he himself doesn’t see yet, lends some hope that while Walter will probably never lose his feelings for preteens, he might find a way to control his paraphilia.
Vicki’s character seems a rare one irl. You would think her experiences of being molested by her brothers would make Walter repulsive, yet strangely, her experiences appear to draw him closer to her. It could be that she sees something humane, compassionate and sincere in Walter unlike her brothers. And unlike most people who might never get to or want to interact with a pedophile, having known the harmful pedo type, she is able to instinctively see something different in Walter that prevents her from painting him with the same brush. Or she’s messed up and finds his urges attractive.
Mos Def as the cop strolling into Walter’s room for the first time:
Things had started to look up a bit in Walter’s life until he confessed to Vicki. The cop encounter is the nadir of this down-phase as he makes it clear to Walter that he is nothing but a piece of shit.
Walter’s final? meeting with Robin (Hannah Pilkes):
This is the litmus test for the audience regarding Walter and his humanity – does he really not want to hurt the girls as he earlier claimed to Vicki, or was it all part of his self-deception to convince himself and us that he is different from the nasty type of pedophiles.