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AKA: Salo O Le 120 Giornate di Sodoma
Year: 1975
Directed by: Pier Paolo Pasolini
Starring: Paolo Bonacelli (Duke), Giorgio Cataldi (Bishop), Umberto Paolo Quintavalle (Judge), Aldo Valletti (President), Helene Surgere (Signora Vaccari), Caterina Boratto (Signora Castelli), Elsa De Giorgi (Signora Maggi), Sonia Saviange (Pianist)
Country: Italy
Language: Italian (English Subtitles)
Runtime: 01:56:39
Genres: Old-Young, Scat, Torture, Gay-CrossDressing, BDSM, Captivity-Kidnapping, Rape-Sexual-Violence against Men, Rape-Sexual-Violence against Women, Voyeur
Plot – Spoilers:
Salo is often at the top of any list or discussion on effed up movies, and there’s a reason why. Not only is it a masterfully directed tale adapted from ‘The 120 Days of Sodom’ by Marquis de Sade, Salo is also as disturbing as movies can get without resorting to gore or explicit sequences.
The Sade book was written in the late 1700s while Salo is set during the final years of WW2. In fact, Salo was the name of a part of Italy under the (puppet) control of Nazi Germany. In this political and social climate, four powerful and wealthy perverted men buy 18 teenagers to partake in extended debauchery and perversion in a palace. Joining them are three madams who helped arrange the teens, a pianist and a group of young soldiers to help maintain decorum and also because some of them have large cocks.
The four Masters include a Judge, some kind of President and two brothers, a Duke and Bishop. Before leaving for the palace, they marry each other’s daughters and these girls join them in the palace. They are always in the nude and mostly servile, helping in serving food and similar docile activities.
The Madams who themselves were abused as children, have grown into facilitators of abuse. They regale the men with perverse stories and incidents from their lives in an attempt to arouse them. The Masters are empty and when fleeting moments of sexual arousal arrive, they are desperate to act immediately upon them.
As the days roll by, the perversions get more and more extreme, culminating in a day of violent excess.
If you’re not a coprophiliac, Salo can be a sort of eye opener on connoisseurs of shit as they provide a delicate examination on the varied tastes and refinements of human shit.
not as fucked up as people have made me think it would be and at some points in the movie i did completely feel like i was wasting my time with this but in the end it did make me think a little on the little details that made the sadist bourgeoisie of this movie. in fact i did not like that they were the focus instead of the victims and i’m sure that the reason this movie was kind of dull was because of this. they all just felt like children who were given endless control to conduct whatever kinds of games they wanted. all their power ensured that they would always be coddled which is also probably why a lot of them got off on humiliating acts like being pissed on or crossdressing or being fucked in the ass, since in reality they are indestructible. the shit-eating is a testament to how disconnected they have been able to become as to reverse their own instincts that would not let them do it. just like how a normal person would struggle to kill someone. it is a reality that they have been able to transcend themselves in a way and transcend humanity. it’s probably why it feels so good and why they do it, but i can only speculate.
In his endeavor to depict the attributes and pecularities of the heinous nazi fascists, Pasolini, most likely accidentally, albeit accurately, predicts the future of the liberal progressive party. The similarities are an uncanny resemblence of the left, including hedonism, suppression of religion and private property, sympathy for minor attracted persons, mass trans movements, abundant sodomy, group think, etc. One could go on for days listing the similarities. The very nature of progressivism undoubtedly points to this end. Scarry.
Rich deviant and sadistic perverts play jailhouse games on teenagers in a palace at the end of WW2. There are some LOL moments and it’s hard to distinguish whether this is a black comedy or dead serious. The president of the organization looks like a full blown retard, especially when he has shit smeared all over his lips or when he is dressed in drag. It is brimming with strong homosexual overtones which could get people like Cole to get their heart a flutter. If you have never seen this film it is surely a sight to behold. It’s a notorious film with quite a reputation and it is very bizarre. A must see. 5 stars.
honestly, this movie wasnt even that bad?? people talk about it like its the worst movie in the World but it rlly isnt😭 ? its just a disturbing movie in my opinion.. good too bc of the message it wants to give, but for example human centipede 2 is like 999x times worse than this?? lol
Epstien Island be like all jokes aside. 🔒
whoever made this crap needs a head doctor. What a disgusting piece of filthy dirt. Never agin.
too disturbing wtf im crying this is very traumatic for me to see… bunch offrekas in comments…
Bro, i have 14, why im seeing this?
It’s funny, what is happening in the movie has been happening on the opposing side (the jews/Epstein/Israel/AIPAC) for so long all I can do when watching this film is simply laugh at the cruel reality of the world I’m living in. As Mark Twain once said “Truth is stranger than fiction”. The movie isn’t all that disturbing but I did enjoy it very much, the atmosphere was overall my favorite part but I was a bit disappointed it wasn’t as disturbing as people were making it out to be.
Shocked Steve ain’t here, anyways this movie is diagusting
i guess this what they used to do on sodom ,why was it floded
If you like 15 year olds sucking 40 year olds cock’s your a fucking disgusting being but still you Will like this
This is one of my favorite films, I love the aesthetics of it. It isn’t nearly as disturbing as people say, the end sequence is a bit violent. The rest includes a lot of nudity, but nothing to trigger a gag reflex other than the shit I suppose (which has very few scenes). If you’re thinking of watching, do it. This is a gorgeous film, deserving of many a rewatch. I hope to get the dvd soon.
This shit is frying me…
I can’t believe I watched it till the end. Now I think that the book was much better, because I’m bad at imagining while reading. Though it makes me question why I read it in the first place…
Can someone end my misery already?
Wow that was indeed something
Holy shit that was smth
Hello.
I once saw another uncut version of salo, with scene’s depicting the kidnapping of the children, by the guards.
I can’t find the scene’s anywhere.
Can someone verify that these scenes exist or where i can find it?
in no way is this as bad as I thought it’d be. I felt a teensy bit nauseous during the Circle Of Shit but that was it. Overall, 7/10 film. I ended up finding what I came here for. Old Marilyn Manson sample.
My favorite yaoi and snuff movie :’U
PURE PEAK!!!
Not as bad as i expected. Who could’ve guessed that Redditors are dramatic about this film.
Plz fix… It’s constantly buffering
hey I don’t remember this in the book
I can see why the director was murdered for producing this film.
The film’s portrayal of fascism is ironically misguided. In reality, fascist ideologies are rooted in traditionalism and reactionism, seeking to uphold established values and reject degeneracy. This starkly contrasts with libertinism, which embodies an extreme form of hedonism and liberalism. By conflating these two distinct ideologies, the film presents a misleading representation of fascism, one that neglects its true conservative and reactionary nature. Despite its glaring inaccuracies in portraying fascism, this film manages to hold its own as a decent piece of underground cinema. The characters are interesting and well-developed, and the storytelling is engaging enough to keep the viewer invested. The ‘circle of shit’ scenes, in particular, are stomach-churning, while the homosexual acts are often explicit and gratuitous to the point of being off-putting. The film remains a decent, if flawed, watch, and fans of transgressive cinema may find some value in its unapologetic and unflinching approach, even if it doesn’t always succeed in its ambitions. The characters in this film are undoubtedly its strongest aspect, and it’s their complexities and nuances that make the movie worth watching. Initially, I found myself drawn to them, attempting to unravel their motivations and backstories and invest in their journeys. However, as the story progressed, I began to realize that these individuals were not of this world, but rather seemed to have emerged from the depths of hell itself. Their actions, behaviors, and ideologies became increasingly depraved and twisted, making it difficult to reconcile their humanity. It’s as if they had transcended… Read more »